In fact, in true DP fashion, there's a staggering degree of flexibility. Used wisely, it can allow you to actually enhance the 'feel' aspect of your sequences, while easily taking care of more obvious errors.Īs you might expect, DP 's quantisation features are extensive, sophisticated, and crop up in all sorts of places - they're by no means a 'one size fits all' solution. But quantising doesn't have to make everything you do sound like Kraftwerk, especially when you have DP as your sequencing platform. It's a process that takes MIDI notes or other events and 'snaps' them into line with a user-configured rhythmic grid, often resulting in inhumanly rhythmic playback that can be exhilarating or mind-numbingly lifeless, depending on the musical context and the skill with which it's applied. Quantising - a really distinctive and powerful technique with a nerdy name - has been around since the dawn of MIDI sequencing. We check out the finer points of quantising in DP and look at what it can do for your music. Quantising is all about turning your sloppy playing into rigid, computerised perfection, right? Well, no - at least, it doesn't have to be. The Preview option, bottom left of the window, lets to hear the results before you commit to them. The note attacks and releases of a repetitive synth part, played on MX4, are about to be snapped into strict time using the settings in the Quantize window.
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